One-On-One with Canadian Actor R.H. Thomson
“Crazed, Mike. Crazed” – R.H. Thomson’s reaction when I asked him how he was doing on a recent, frigid, Toronto afternoon. It’s no surprise, really, when you consider the 66-year-old writes, acts (for the stage as well as screens big and small), directs, and donates his time to arts activism and historical preservation ventures – often balancing many of these pursuits at once. “But, it’s all good,” the former Road to Avonlea star notes. “I’m not dead and that’s the main thing.”
It is the main thing, and it’s also convenient considering the very-much-alive Thomson is set to receive ACTRA Toronto’s 2014 Award of Excellence this Saturday at a gala held at the historic Carlu in the heart of the city. It’s another accolade to add to a trophy case filled with prizes, honours, and even the Order of Canada. But, as Thomson told me, he’s the last one to buy into his own hype.
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MIKE CRISOLAGO: Does it ever become less of a thrill to receive awards like this ACTRA honour?
R.H. THOMSON: I can’t believe all the so-called awards nominations. I just don’t believe it. I go, “That happened to me?” If someone comes up to you and says, “That was great”…it helps you. But it doesn’t change the core of what we’re trying to do – tell Canadian stories for Canadians.
MC: So you don’t rest on the accolades.
MC: Are there any roles or projects you’ve always wanted to perform that you still hold out for or want to pursue?
RHT: The ones (I wanted) to do I’m too old for now. Certain big regrets I never got to do. Edgar in King Lear. Richard III. Never happened But I’ve been very lucky.
MC: As you get older do the roles get less weighty, so to speak?
RHT: You’d have to separate theatre, and television, and film. Theatre they don’t. I’m off to do Glengarry Glen Ross and I’m playing Shelley Levene in it – a wonderful adventure to go on. But film and television – (network) television especially – because it’s a more commercial medium…there’s less interest in faces over 35. And cruelly so for women.
But, look at British television – at Judi Dench, Helen Mirren – because the television culture’s interested in everybody, the story of everyone, but the commercial television market here is not interested in the story of everyone. They’re interested in the stories that get the most eyeballs. Then you get in the formula of cop show, cop show, cop show…