Between the Lines: Jane Urquhart on “The Night Stages” and Loving her 60s
Award-winning Canadian novelist Jane Urquhart talks her new novel, The Night Stages, her writing process and why she loves being in her 60s with Zoomer’s Mike Crisolago.
MIKE CRISOLAGO: Your upcoming novel, The Night Stages, brings four main elements together: rural Ireland, a mural in Gander Airport by Kenneth Lochhead, an Irish bicycle race, and a female pilot during the Second World War. What’s your process for combining these very different elements to form the story?
JANE URQUHART: It’s always difficult to explain because my books seem to come from 11 different directions at once. So writing them is a kind of act of faith that eventually it will be revealed to me what all these things have in common.
And what I learned is that I just have to trust that. That if I’m that interested, there has to be a reason and that that linkage will present itself as I work my way through the first draft of the book. The revelation takes place during the first draft as to what it is that links these things.
MC: Why did you choose to include the mural in the novel?
JU: I think a novel is very much like a mural. A mural is not the kind of work of art that you look at directly, all at once. You have a tendency to kind of read it from left to right. And I thought that it would be interesting to have somebody in front of a work of art for what would be considered a pretty long period of time – two or three days – examining the work of art and allowing it to come into their consciousness and reveal things to them about a story that they’re remembering. I was also interested in the artist himself, and so I wanted to follow his path to the mural, to a certain extent, and hopefully there would be echoes within his stories that would relate to the story of the protagonist.
MC: More than a decade ago you declared in an interview how much you enjoyed being in your 50s, and the confidence it brought you. How have your 60s been?
JU: Even better. I feel so grown up. It’s such a pleasure to be grown up. I was the youngest by quite a bit in my family – my next sibling is nine years older than I am – so for a long time I was the youngest anywhere. And that has finally changed. [Laughs] And so I’m kind of grateful for that in a way … I was almost going to say that the 60s changed a little bit – in other words, many of us are more youthful than our parents would have been.
The other thing that I like about being in my 60s seems contradictory in a way, and that is that I’ve sort of lost some energy. And that’s turned out to be a good thing, because I now know how to focus on the things that really matter. I just don’t have the energy for sort of superfluous nonsense. [Laughs] But I’m in terrific health and I’m having a wonderful time. And my husband’s 15 years older than me, so that means I’ll be young forever.
MC: Creatively, does the way you approach your writing change as you get older?
JU: I think it does a little bit. And again, I think it has to do with that energy. When I was younger, it was as if a dam were bursting [when she was writing]. It was kind of fast and furious and exciting – very exciting. But I think it’s wider and deeper now. So I’m not quite as fired up when I approach the paper or the keyboard or whatever, but I’m more reflective I believe…And you’ve read wider and deeper as well. So you just know more – it’s that simple.