“The World Remembers” Honours Fallen Soldiers with Their Mother’s Words
Initiative spearheaded by Canadian actor R.H. Thomson honours First World War casualties around the world.
For the second year in a row, celebrated Canadian actor and director R.H. Thomson, 67, is spearheading an initiative to ensure that soldiers who died on all sides of the battlefield in the First World War are remembered. And he’s doing so with the help of words left behind from mothers from three different nations whose sons died in battle.
We interviewed Thomson last year about his non-profit, First World War initiative The World Remembers, which aims to honour the memory of the more than nine million people from around the world who perished in battle by ensuring their names are displayed in public spaces and online in participating cities and countries on an exact day, hour and minute so that their loved ones and fellow citizens can pay tribute.
The process takes place each of the war’s five centenary years, with the dead from 100 years earlier appearing in displays each year. In 1915, 5,472 Canadians died in battle, meaning this year those names appeared in participating schools, public venues – including Toronto City Hall’s rotunda – and online beginning on October 5th through to today.
The same process took place around the world for the fallen soldiers who fought for Belgium, the United Kingdom, Italy, Germany, France, The Czech Republic (Austro-Hungarian Empire), New Zealand, Australia, Turkey, Slovenia and the British Indian Army.
MIKE CRISOLAGO: Tell me a little bit about how The Song of the Mothers came about.
R.H. THOMSON: Each year we commission a choral piece because we come from the arts and we say the arts, and especially music, is one way you can actually try to express what happened to the people in World War I. So last year was The Song of the Poets. We put together a text from a German poet, a French poet, a British poet, a Canadian poet. And this year is The Song of the Mothers, and it’s a text from three women – a French woman, a German woman and a Canadian woman – each who lost sons in World War I, and the text is put together as if these three women are speaking together. And it’s taken from their diaries, their letters, their journals, but they write to their family about war, about their son, about what they feel.
MC: So these are literally their actual words and feelings derived from real diaries and journals?
RHT: They’re real diaries and journals, they’re real ladies. The Canadian woman is Mary Elizabeth Stratford, who happens to be my great-grandmother, who lost four sons in World War I. The German woman is Käthe Kollwitz, who was a stunning German artist – and her son was killed in 1914 – and she spent her life making these sculptures and drawings, mainly based on mother and child and her writings are really strong. And she did two iconic sculptures called The Grieving Parents in the German war cemeteries. And the Frenchwoman is Madame Mialaret who, in a way, adopted a Canadian soldier as a sort of second son before he was killed.
MC: You kicked off this initiative last year. How was the first year for you?
RHT: Talk about roller-coasters, this is the rollercoaster that turned you upside down, threw you around, you had to be strapped in your seat, but we came out the other end. The challenges – you have to have a relationship with each country that’s in the project, and we had nine nations in the project and that would take an office of 24 to keep up those relationships. And we have an office of three. So it’s very challenging to keep all these balls in the air.